And indeed, we did come across St. Nicolas, and indeed, street photography was not a particular success for me. Whether it’s my lack of fascination for scenery in the street or my diffidence to get closer is difficult to say – and probably it’s both.
Nevertheless, it was a perfect day. On one hand because it was indeed again utmost sociable and enjoyable together, but also because we discovered on our route a nice gallery where I discovered paintings of Esther Nienhuis being prepared for the opening next day, paintings made after photographs taken from behind wet windscreens – coincidentally a project I am working on too. Very coincidental, and inspiring too.
But besides that: after this photo (which you should actually see printed on baryta paper), taken in the first minutes after we left the parking upon arrival that morning, I knew this would be a great day.
Above a splendid patch of fog around the top of the futuristic ‘Hoftower’, dispersing the light of the rising sun. And below serene tranquillity, with a light that remembers of old pictures of Kertész.

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